A remarkable examination of Edvard Munch's prints, which were central to his creative process and established his reputation as an artist. Edvard Munch (1863-1944), one of the most famous expressionist artists, is best known for The Scream. However, this was just one of the many haunting depictions of raw human emotion, which he fully developed in highly sophisticated prints. Munch's youth was marked by sickness and poverty, and his early works centered around the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Experimental and innovative, the style that Munch developed was a radical deviation from the nature of the society portraits and grand Scandinavian landscapes then in vogue. Continually revisiting the subjects of his paintings, Munch evoked a wide range of emotion and mood in his prints and strikingly large lithographs, partly by using an innovative jigsaw technique in his woodcuts that produced a wide variety of color and tone. Featuring an interview with Norwegian writer Karl Ove Knausgaard, Edvard Munch: love and angst, published 75 years after the artist's death, will shed light on the imagery and production of some of Munch's most intriguing, often overlooked prints. 150 color and black-and-white illustrations

The Scream of self-liberation Paintings by one of Expressionism's pioneers For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, "The Scream" (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work: "In reality, my art is a free confession, an attempt to clarify to myself my own relation to life..." Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism. The author: Ulrich Bischoff (born in 1947) studied art history, German language and literature studies, sociology, history, philosophy, religion and education in Tubingen and Berlin. He has taught numerous courses at the Academy of Fine Arts in Munich and at the Universities of Berlin, Kiel, Hamburg, Passau and Dresden. Since 1994 Bischoff has been director of the Gemaldegalerie Neue Meister at the Staatliche Kunstsammlungen Dresden. He has published numerous writings in the areas of classical modernity and contemporary art, including TASCHEN's Edvard Munch and Max Ernst.

Внимание! Товар продается комплектом:[Блокнот А5 (143x210 мм), BRAUBERG VISTA "Edvard Munch", под кожу, гибкий, 80 л, 112060] X 6 шт. Блокнот BRAUBERG VISTA "Edvard Munch" выполнен в оригинальном стиле. Линовка внутреннего блока - клетка, которая пользуется большим спросом у покупателей.

Внимание! Товар продается комплектом:[Блокнот А5 (143x210 мм), BRAUBERG VISTA "Edvard Munch", под кожу, гибкий, 80 л, 112060] X 2 шт. Блокнот BRAUBERG VISTA "Edvard Munch" выполнен в оригинальном стиле. Линовка внутреннего блока - клетка, которая пользуется большим спросом у покупателей.

Внимание! Товар продается комплектом:[Блокнот А5 (143x210 мм), BRAUBERG VISTA "Edvard Munch", под кожу, гибкий, 80 л, 112060] X 5 шт. Блокнот BRAUBERG VISTA "Edvard Munch" выполнен в оригинальном стиле. Линовка внутреннего блока - клетка, которая пользуется большим спросом у покупателей.

Внимание! Товар продается комплектом:[Блокнот А5 (143x210 мм), BRAUBERG VISTA "Edvard Munch", под кожу, гибкий, 80 л, 112060] X 8 шт. Блокнот BRAUBERG VISTA "Edvard Munch" выполнен в оригинальном стиле. Линовка внутреннего блока - клетка, которая пользуется большим спросом у покупателей.

Внимание! Товар продается комплектом:[Ежедневник недатированный А5 (138х213 мм), BRAUBERG VISTA, под кожу, гибкий, 136 л, "Edvard Munch", 111984] X 4 шт. Ежедневник BRAUBERG VISTA "Edvard Munch" предназначен для людей, которые ценят время и стараются каждый день проживать с максимальной пользой.

Маска лицевая. Edvard Munch, The Scream, 1893, National Gallery, Oslo, Эдвард Мунк, Крик, 1893, Национальная галерея, Осло

Ежедневник Brauberg Vista "Edvard Munch" предназначен для людей, которые ценят время и стараются каждый день проживать с максимальной пользой.

Ежедневник BRAUBERG VISTA "Edvard Munch" предназначен для людей, которые ценят время и стараются каждый день проживать с максимальной пользой.

Блокнот BRAUBERG VISTA "Edvard Munch" выполнен в оригинальном стиле. Линовка внутреннего блока - клетка (5х5 мм), которая пользуется большим спросом у покупателей.

Блокнот BRAUBERG VISTA "Edvard Munch" выполнен в оригинальном стиле. Линовка внутреннего блока - клетка (5х5 мм), которая пользуется большим спросом у покупателей.

Блокнот BRAUBERG VISTA "Edvard Munch" выполнен в оригинальном стиле. Линовка внутреннего блока - клетка (5х5 мм), которая пользуется большим спросом у покупателей.

Блокнот BRAUBERG VISTA "Edvard Munch" выполнен в оригинальном стиле. Линовка внутреннего блока - клетка (5х5 мм), которая пользуется большим спросом у покупателей.

A hairless, ghostly figure on a bridge. The sky orange-red above him. His hands raised to his ears, his mouth wide in a haunting wail. In painting The Scream, Edvard Munch (1863-1944) created Mona Lisa for our times. The shriek of his iconic figure reverberates around the world, its echo resounding in the work of Andy Warhol, Jasper Johns, Martin Kippenberger, Marlene Dumas, and Tracey Emin. This introductory book surveys Munch's staggering capacity for psychodrama in The Scream and beyond. With rich illustration, it looks at the lurid, dark, and deeply modern visions that made up the artist's response to relationships and emotions. These compelling images, regarded by the artist himself as a means of "free confession," remain as magnetic today as they were on the brink of modernism.

A hairless, ghostly figure on a bridge. The sky orange-red above him. His hands raised to his ears, his mouth wide in a haunting wail. In painting The Scream, Edvard Munch (1863–1944) created Mona Lisa for our times. The shriek of his iconic figure reverberates around the world, its echo resounding in the work of Andy Warhol, Jasper Johns, Martin Kippenberger, Marlene Dumas, and Tracey Emin.This introductory book surveys Munch's staggering capacity for psychodrama in The Scream and beyond. With rich illustration, it looks at the lurid, dark, and deeply modern visions that made up the artist's response to relationships and emotions. These compelling images, regarded by the artist himself as a means of “free confession," remain as magnetic today as they were on the brink of modernism.