Selected and with a New Introduction by Tessa Hadley A girl shares her secret den. A couple stroll through a ruined city. A man walks into a ladies' hat shop. A teacher dreams of killing her pupil. Spanning the 1920s to the post-war years, this new selection brings Elizabeth Bowen's finest short stories together for the first time. Elegant and subtle, they showcase Bowen's ability to evoke ineffable emotions - grief, nostalgia, self-consciousness, dread - and combine remarkable psychological insight with vivid settings, from the countryside of Bowen's native Ireland to the streets of her London home after the Blitz. Encompassing characters from many walks of life and a vast array of moods, these are intricate journeys of domesticity and discovery, of the homely and uncanny, of the mind and body.

A girl shares her secret den. A couple stroll through a ruined city. A man walks into a ladies' hat shop. A teacher dreams of killing her pupil. Spanning the 1920s to the post-war years, this new selection brings Elizabeth Bowen's finest short stories together for the first time. Elegant and subtle, they showcase Bowen's ability to evoke ineffable emotions - grief, nostalgia, self-consciousness, dread - and combine remarkable psychological insight with vivid settings, from the countryside of Bowen's native Ireland to the streets of her London home after the Blitz. Encompassing characters from many walks of life and a vast array of moods, these are intricate journeys of domesticity and discovery, of the homely and uncanny, of the mind and body.

Celebrated for her much-admired novels, including The Heat of the Day and The Death of the Heart, Bowen established herself in the front rank of the century's writers equally through her short fiction. WITH AN INTRODUCTION BY A. N. WILSON Throughout these seventy-nine stories - love stories, ghost stories, stories of childhood, of English middle-class life in the twenties and thirties, of London during the Blitz - Elizabeth Bowen combines social comedy and reportage, perception and vision in an oeuvre which reveals, as Angus Wilson affirms in his introduction, that 'the instinctive artist is there at the very heart of her work'.

Widely known for her extraordinary novels, including The Last September, The Death of the Heart and The Heat of the Day, Elizabeth Bowen (1899-1973) surpassed even herself as a writer of short fiction. 'The supreme genius of her time, writes John Banville in his introduction; 'There is not a story in this substantial volume ... that is not brought off beautifully.' There are seventy-nine stories in all, amongst them of course such well-loved classics as 'Mysterious Kor', 'The Demon Lover', 'Summer Night', 'Ivy Gripped the Steps' and 'The Happy Autumn Fields'. Written over four decades, they range in setting from the County Cork of the author's Anglo-Irish childhood to bomb-ravaged London where she coolly sat out World War II, every scene evoked with vivid and impeccable artistry. Children, frustrated lovers and even ghosts inhabit her tales with an urgency and emotional complexity, which make it clear that the drama of human consciousness is her central subject. Rich in social comedy, penetrating in their psychological insight, perfect in their craft, these stories firmly stake Bowen's claim to be considered one of the greatest English writers of the twentieth century.

Stories of Motherhood gathers together more than a century of short fiction from a wide variety of authors in a literary celebration of the most elemental of human relationships. Willa Cather, Edith Wharton, Sherwood Anderson, Elizabeth Bowen, Anita Desai, Colm Toibin, Lorrie Moore and many others write memorably about mothers – having, leaving, loving and losing them – in stories lyrical and satirical, realistic and fantastic, hilarious and heartbreaking.

'I think few of the stories in Loss will leave readers cold...' Victoria Hislop, bestselling author and champion of the short story, has chosen her favourite short stories by women writers. Here are prizewinners, famous wits, well-known feminists, national treasures and rising stars. All the stories in this volume are about loss: lost lives, lost loves, lost innocence, even a lost leopard. The many ways in which loss touches our lives are shown in these varied stories. Contributors: Katherine Mansfield, Elizabeth Bowen, Dorothy Parker, Shirley Jackson, Flannery O'Connor, Elizabeth Taylor, Jean Rhys, Anna Kavan, Muriel Spark, Ellen Gilchrist, Penelope Fitzgerald, Lorrie Moore, Hilary Mantel, Susan Hill, Colette Paul, Yiyun Li, Helen Simpson, Edna O'Brien, Edith Pearlman, Emma Donoghue, Carrie Tiffany and Lucy Wood.

Love Stories brings together a captivating assortment of short stories inspired by romantic entanglement in its many forms: first love, infatuation, obsession, unrequited love, marriage, adultery, jealousy, and the complicated bonds of those who have spent their lives together. A tremendous array of writers evoke a variety of moods, from the raw, erotic passion of D. H. Lawrence and Colette to the wickedly cynical comedy of Dorothy Parker and Roald Dahl; from the agonizing madness of jealousy in Vladimir Nabokov’s ‘That in Aleppo Once . . .’ to the yearning romantic illusions in Scott Fitzgerald’s ‘Winter Dreams’. Objects of passion include a glamorous silent-movie starlet in Elizabeth Bowen’s haunting ‘Dead Mabelle’, a faithful ghost in Yasunari Kawabata’s ‘Immortality’, and in Margaret Atwood’s ‘Bluebeard’s Egg’ a heart surgeon who spends his days penetrating the mysteries of the human heart but who seems oddly emotionally opaque himself. Jhumpa Lahiri plumbs the depths of a couple sundered by tragedy while Lorrie Moore movingly portrays a husband and wife brought together by it.

The sheer variety and accomplishment of Elizabeth Gaskell's shorter fiction is amazing. This new volume contains six of her finest stories that have been selected specifically to demonstrate this, and to trace the development of her art. As diverse in setting as in subject matter, these tales move from the gentle comedy of life in a small English country town in Dr Harrison's Confessions, to atmospheric horror in far north-west Wales with The Doom of the Griffiths. The story of Cousin Phillis, her masterly tale of love and loss, is a subtle, complex and perceptive analysis of changes in English national life during an industrial age, while the gripping Lois the Witch recreates the terrors of the Salem witchcraft trials in seventeenth-century New England, as Gaskell shrewdly shows the numerous roots of this furious outbreak of delusion. Whimsically modified fairy tales are set in a French chateau, while an engaging love story poetically evokes peasant life in wine-growing Germany.

Published to mark the 80th anniversary of the start of the Second World War, these are powerful wartime stories written by the finest women writers of that generation. This collection of wartime stories includes some of the finest writers of a generation. War had traditionally been seen as a masculine occupation, but these stories show how women were equal if different participants. Here, war is less about progress on the frontline of battle than about the daily struggle to keep homes, families and relationships alive; to snatch pleasure from danger, and strength from shared experience. The stories are about saying goodbye to husbands, lovers, brothers and sons - and sometimes years later trying to remake their lives anew. By turn comical, stoical, compassionate, angry and subversive, these intensely individual voices bring a human dimension to the momentous events that reverberated around them and each opens a window on to a hidden landscape of war. Writers include: Jean Rhys, Beryl Bainbridge, Elizabeth Bowen, Elizabeth Taylor, Stevie Smith, Rosamond Lehmann, Barbara Pym, Angela Thirkell, Sylvia Townsend Warner, Dorothy Parker, Doris Lessing, Olivia Manning, Rose Macaulay and Stevie Smith

The first novel from one of the twentieth century's most admired and stylish writers It's the balmy days of the 1920s and where could be more pleasant for a holiday than a hotel on the Italian Riviera? Filled with prosperous English visitors, the Hotel offers a closed world of wealth and comfort. It also provides the stage for the display of social niceties, for passionate but unspoken love affairs and for the comedy of the shared bathroom. With great wit and insight Elizabeth Bowen's first novel lays bare the intricacies and eccentricities of polite society.

Elizabeth Bowen's last novel, a character study of startling originality which many consider to be her best work With an introduction by Tessa Hadley Imposing, rich, unloved and with a genius for unreality; Eva Trout has a 'capacity for making trouble, attracting trouble, strewing trouble around her' that is endless. Eva Trout was Elizabeth Bowen's last completed novel, and in it her elegant style, her gift for social comedy and her intense sensibility combine to create one of her most formidable - and moving - heroines.

Genteel life at 'the 'Big House' continues while the Irish War of Independence rages beyond the gates, but for how long? Read Elizabeth Bowen's accessible feminist take on the Irish aristocracy With an introduction by Victoria Glendinning The Irish troubles rage, but up at the 'Big House', tennis parties, dances and flirtations with the English officers continue, undisturbed by the ambushes, arrests and burning country beyond the gates. Faint vibrations of discord reach the young girl Lois, who is straining for her own freedom, and she will witness the troubles surge closer and reach their irrevocable, inevitable climax.

Two sisters, two weddings, just months apart. These marriages produce a tangle of friends, relations and lovers that starts to unravel ten years later, during one intense week. Two of Bowen's most memorable characters are in attendance: Lady Elfrida, a creature of privilege, and Theodora Thirdman, a gawky teenager with zero self-awareness. The sunset of prosperity is upon this complacent, moneyed class, but Bowen's precise and beautiful prose pins real pain and comedy upon its inhabitants.

The fourth novel by Elizabeth Bowen, described by the Guardian as 'One of the last century's greatest woman writers' Cecilia, capricious and unable to love, inches reluctantly towards a second marriage to the kind, passionless Julian Tower. Meanwhile, her sister-in-law, Emmeline, is surprised to find the calm tenor of her life disturbed by her attraction to the predatory Mark Linkwater. Markie's appearance disrupts the lives of both women, but in the pain of misunderstanding, it is Emmeline who reveals her vulnerability in a violent and tragic act.

Представляем вашему вниманию книгу Антона Павловича Чехова "Selected Stories". На английском языке.

Представляем вашему вниманию книгу Антона Павловича Чехова "Selected Stories". На английском языке.