Paintwork pioneer: The anchorman of modernism. In the latter half of the 19th century, in the verdant countryside near Aix-en-Provence, Paul Cézanne (1839–1906), busily plied his brush to landscapes and still lifes that would become anchors of modern art. With compact, intense dabs of paint and bold new approaches to light and space, he mediated the way from Impressionism to the defining movements of the early 20th century and became, in the words of both Matisse and Picasso, “father of us all." This fresh artist introduction selects key works from Cézanne's oevure to understand his development, innovation, and crucial influence on modern art. From compositions of fruits and pears to scenes of outdoor bathers, we trace his experimentation with color, perspective, and texture to evoke “a harmony parallel to Nature," as well as the very process of seeing and recording. Along the way, we discover Cézanne's celebrated Card Players, his layering of warm and cool hues to build up form and surface, and the geometric rigor of his landscapes from the vicinity of Aix-en-Provence, as bright with the light of southern France as they are bold with a radical new rendering of dimensions and depth.

Le peintre qui impulsa le modernisme Deuxieme moitie du XIXe siecle. Dans la campagne verdoyante pres d’Aix-en-Provence, Paul Cezanne (1839–1906) pose frenetiquement son pinceau sur la toile, dessinant des paysages et des natures mortes qui deviendront bientot les piliers de l’art moderne. Par ses epaisses touches de peinture aux couleurs intenses et son approche nouvelle et audacieuse de considerer la lumiere et l’espace, il incarne le lien entre l’impressionnisme et les principaux mouvements du debut du XXe siecle, devenant ainsi selon les mots de Matisse et Picasso, leur « pere a [eux] tous ». Cette nouvelle introduction consacree a l’artiste a selectionne, dans toute la production de Cezanne, les ?uvres essentielles pour comprendre son evolution, ses innovations et son influence decisive sur l’art moderne. De ses natures mortes aux poires et autres fruits a ses scenes de baignade en plein air, l’ouvrage retrace ses experimentations avec la couleur, la perspective et les matieres visant a peindre « une harmonie parallele a la Nature », ainsi que sa facon particuliere de regarder le monde et de le restituer en peinture. Au fil des pages, on decouvre les celebres Joueurs de cartes de Cezanne, sa superposition de tonalites chaudes et froide qui creent en elles-memes les formes et les surfaces, ainsi que la rigueur geometrique de ses paysages inspires des environs d’Aix-en-Provence, aussi lumineux sous le soleil du Sud de la France qu’audacieux dans leur traitement radicalement nouveau des proportions et de la profondeur.

He was the founding father of modern art, the grand master who pointed painting forward on its way from Impressionism to the 20th century: Paul Cezanne (1839-1906). In Paris, but above all in Provence, Cezanne quested tirelessly for "a harmony parallel to Nature"-discovering it in still lifes of apples, in bathers, or in the renowned landscapes of his beloved Montagne Sainte-Victoire. This book discusses this extraordinary artist's major works and his theories of painting and colour.

In the latter half of the 19th century, in the verdant countryside near Aix-en-Provence, Paul Cezanne (1839-1906), busily plied his brush to landscapes and still lifes that would become anchors of modern art. With compact, intense dabs of paint and bold new approaches to light and space, he mediated the way from Impressionism to the defining movements of the early 20th century and became, in the words of both Matisse and Picasso, "father of us all." This fresh artist introduction selects key works from Cezanne's oeuvre to understand his development, innovation, and crucial influence on modern art. From compositions of fruits and pears to scenes of outdoor bathers, we trace his experimentation with color, perspective, and texture to evoke "a harmony parallel to Nature," as well as the very process of seeing and recording. Along the way, we discover Cezanne's celebrated Card Players, his layering of warm and cool hues to build up form and surface, and the geometric rigor of his landscapes from the vicinity of Aix-en-Provence, as bright with the light of southern France as they are bold with a radical new rendering of dimensions and depth.

Wassily Kandinsky was undoubtedly one of the most exciting artists of the twentieth century. He brought an equal passion and commitment to his work as a painter, a theoretician and a teacher of art. After conventional beginnings in Munich, he devoted his intellectual and artistic energies to pioneering new dimensions of expression in art. He ultimately arrived at an abstract style of painting based on the inner properties of colour and form. Although Kandinsky may not be the first truly abstract artist, he was nevertheless the first to experiment with non-representational forms in a logical manner and to develop out of them a homogeneous style. His writings on art, including his ground-breaking work On the Spiritual in Art, have lost none of their significance, and the Compositions which caused such a furore at the first Blaue Reiter exhibition in 1911 are still full and dazzling today. Издание на английском языке.

From the multi-award-winning author of Orangeboy, an addictive mystery that refuses to let you go long after you turn the final page. Can Becks piece the jigsaw together and find her sister before Silva loses herself? Becks is into girls but didn’t come out because she was never in. She lives with her mum, stepdad and eighteen-year-old Silva, her stepdad’s daughter. Becks and Silva are opposites, but bond over their mutual obsession with K-pop. When Becks’ mum and stepdad go on honeymoon to Japan, Becks and Silva are left alone. Except, Silva disappears. Becks ventures into the forbidden territory of Silva’s room and finds the first of eight clues that help her discover her sister’s secret life. Meanwhile, Silva is on a journey. A journey to make someone love her. He says he doesn’t, but he’s just joking. All she has to do is persuade him otherwise...

From the multi-award-winning author of Orangeboy, an addictive mystery that refuses to let you go long after you turn the final page. Can Becks piece the jigsaw together and find her sister before Silva loses herself? Becks is into girls but didn’t come out because she was never in. She lives with her mum, stepdad and eighteen-year-old Silva, her stepdad’s daughter. Becks and Silva are opposites, but bond over their mutual obsession with K-pop. When Becks’ mum and stepdad go on honeymoon to Japan, Becks and Silva are left alone. Except, Silva disappears. Becks ventures into the forbidden territory of Silva’s room and finds the first of eight clues that help her discover her sister’s secret life. Meanwhile, Silva is on a journey. A journey to make someone love her. He says he doesn’t, but he’s just joking. All she has to do is persuade him otherwise...

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Бренд: Maier SportsЦвет: Pink DawnЖенская рубашка-поло Ulrike от Maier Sports впечатляет своими быстросохнущими свойствами благодаря технологии Dryprotec. Кроме того, он пропускает воздух, что особенно полезно в летние дни. Это делает его идеальным д...

Perhaps best known for his exceptional apples and pears, Paul Cezanne (1839-1906) was one of the founding fathers of modern art. Though he was underappreciated and highly criticized during his life, as time passed Cezanne's work came to be considered of inestimable importance. His method of experimentation with abstraction and perspective was an important precursor to modern painting, particularly cubism. About the author: Hajo Duchting (b. 1949 in Dusseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrucken and Mainz. Since 2004 he has taught painting and colour theory at the Mediadesign Akademie in Munich. Duchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cezanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999). Издание на английском языке.