While playing an erratic round of golf, Bobby Jones slices his ball over the edge of a cliff. His ball is lost, but on the rocks below he finds the crumpled body of a dying man. With his final breath the man opens his eyes and says, "Why didn't they ask Evans?". Haunted by these words, Bobby and-his vivacious companion, Frankie, set out to solve a mystery that will bring them into mortal danger...

When a man plunges down a cliff, two adventurous young friends decide to find his killer… While playing an erratic round of golf, Bobby Jones slices his ball over the edge of a cliff. His ball is lost, but on the rocks below he finds the crumpled body of a dying man. With his final breath the man opens his eyes and says, 'Why didn't they ask Evans?' Haunted by these words, Bobby and his vivacious companion, Frankie, set out to solve a mystery that will bring them into mortal danger…

While playing an erratic round of golf, Bobby Jones slices his ball over the edge of a cliff. His ball is lost, but on the rocks below he finds the crumpled body of a dying man. The man opens his eyes and, with his last breath, says, 'Why didn't they ask Evans?' Haunted by those words, Bobby and his vivacious companion, Frankie, set out to solve a mystery that will plunge them into mortal danger...

Bobby Jones is playing golf … terribly. As his ball disappears over the edge of a cliff, he hears a cry. The ball is lost, but on the rocks below he finds a dying man. With his final breath the man opens his eyes and says, ‘Why didn’t they ask Evans?’ Bobby and his adventure-seeking companion Frankie set out to solve the mystery of the dying man’s last words only to find their own lives in terrible danger… Collins brings the Queen of Crime, Agatha Christie, to English language learners. Agatha Christie is the most widely published author of all time and in any language. Now Collins has adapted her famous detective novels for English language learners. These carefully adapted versions are shorter with the language targeted at upper-intermediate learners (CEF level B2). Each reader includes: A CD with a reading of the adapted story Helpful notes on characters Cultural and historical notes relevant to the plot A glossary of the more difficult words

"Встреча в Багдаде" (1951) - одна из шпионских историй Агаты Кристи повествует о том, как уволенная с работы стенографистка разоблачает политических заговорщиков.

Agatha Christie's international mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers. Baghdad is the chosen location for a secret summit of superpowers, concerned but not convinced, about the development of an, as yet, unidentified and undescribed secret weapon. Only one man has the proof that can confirm the nature of this fantastic secret weapon - a British agent named Carmichael. Unfortunately the criminal organisation responsible for the weapon's development will stop at nothing to prevent him entering Baghdad and presenting his proof to the assembled delegates. Can Carmichael enter the city against such odds? Into this explosive situations appears Victoria Jones, a girl with a yearning for adventure who gets more than she bargains for when a wounded Carmichael dies in her arms in her hotel room. Now, if only she could make sense of his last words '…Lucifer…Basrah…Lefarge…'

Why are some people and organisations more inventive, pioneering and successful than others? And why are they able to repeat their success again and again?In business, it doesn't matter what you do, it matters WHY you do it.Start with Why analyses leaders like Martin Luther King Jr and Steve Jobs and discovers that they all think in the same way - they all started with why.Simon Sinek explains the framework needed for businesses to move past knowing what they do to how they do it, and then to ask the more important question-WHY?Why do we do what we do? Why do we exist? Learning to ask these questions can unlock the secret to inspirational business. Sinek explains what it truly takes to lead and inspire and how anyone can learn how to do it.

Why are some people and organisations more inventive, pioneering and successful than others? And why are they able to repeat their success again and again?In business, it doesn't matter what you do, it matters WHY you do it.Start with Why analyses leaders like Martin Luther King Jr and Steve Jobs and discovers that they all think in the same way - they all started with why.Simon Sinek explains the framework needed for businesses to move past knowing what they do to how they do it, and then to ask the more important question-WHY?Why do we do what we do? Why do we exist? Learning to ask these questions can unlock the secret to inspirational business. Sinek explains what it truly takes to lead and inspire and how anyone can learn how to do it.

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR. Listen along with downloadable MP3 audio. What does the name 'Agatha Christie' mean? To many people, it means a book about a murder mystery - a 'whodunnit'. 'I'm reading an Agatha Christie,' people say. 'I'm not sure who the murderer is - I think it's... ' But they are usually wrong, because it is not easy to guess the murderer's name before the end of the book. But who was Agatha Christie? What was she like? Was her life quiet and unexciting, or was it full of interest and adventure? Was there a mystery in her life, too?

Miss Marple senses clanger when she visits a friend living in Stoneygates, a rehabilitation centre for delinquents. Her fears are confirmed when someone shoots at the administrator. Though he is not injured, a mysterious visitor is less fortunate - shot dead simultaneously in another part of the building. Pure coincidence? Miss Marple thinks not, and must use all her cunning to solve the riddle of the stranger's visit... and his murder.

In 1926, Agatha Christie disappeared for 11 days. Only I know the truth of her disappearance. I’m no Hercule Poirot. I’m her husband’s mistress. Agatha Christie’s world is one of glamorous society parties, country house weekends, and growing literary fame. Nan O’Dea’s world is something very different. Her attempts to escape a tough London upbringing during the Great War led to a life in Ireland marred by a hidden tragedy. After fighting her way back to England, she’s set her sights on Agatha. Because Agatha Christie has something Nan wants. And it’s not just her husband. Despite their differences, the two women will become the most unlikely of allies. And during the mysterious eleven days that Agatha goes missing, they will unravel a dark secret that only Nan holds the key to . . .

Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. Lucy Worsley's biography is not just of an internationally renowned bestselling writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and entertaining and makes us realise what an extraordinary pioneer Agatha Christie was - truly a woman who wrote the twentieth century.

Rediscover Gladys Mitchell – one of the 'Big Three' female crime fiction writers alongside Agatha Christie and Dorothy L. Sayers. When a pair of ramblers, lost in the English countryside, stop at a country house to ask for directions, they are most astonished to be ushered in to dinner. It seems they've been invited as a necessity by the superstitious lady of the house, to avoid thirteen guests sitting down to dinner. But the thirteenth guest never arrives, and his headless body is discovered in a wood the next day. Fortunately, numbered among the original dinner guests is a rather extraordinary psychoanalyst, and sometime detective, by the name of Mrs Bradley...

Poirot is on his way home to London on the famous Simplon Orient Express when a murder is committed. It is clear that no one entered or left the train, which means one of Poirot’s fellow passengers must be guilty – but which one? And why would they have murdered a man they didn’t know? Collins brings the Queen of Crime, Agatha Christie, to English language learners. Agatha Christie is the most widely published author of all time and in any language. Now Collins has adapted her famous detective novels for English language learners. These readers have been carefully adapted using the Collins COBUILD grading scheme to ensure that the language is at the correct level for an intermediate learner. This book is Level 3 in the Collins ELT Readers series. Level 3 is equivalent to CEF level B1 with a word count of 11,000 – 20,000 words. Each book includes: • Full reading of the adapted version available for free online • Helpful notes on characters • Cultural and historical notes relevant to the plot • A glossary of the more difficult words • Free online resources for students and teachers at Collins site.

Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up . . . Agatha Christie reveled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random--the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not the case with poisons. How is it that some compounds prove so deadly, and in such tiny amounts? Christie's extensive chemical knowledge provides the backdrop for A is for Arsenic, in which Kathryn Harkup investigates the poisons used by the murderer in fourteen classic Agatha Christie mysteries. It looks at why certain chemicals kill, how they interact with the body, the cases that may have inspired Christie, and the feasibility of obtaining, administering and detecting these poisons, both at the time the novel was written and today. A is for Arsenic is a celebration of the use of science by the undisputed Queen of Crime.

Reprinted for the first time in almost 90 years, this original novelisation of the very first Agatha Christie film is a unique record of the Queen of Crime’s movie debut and a bold attempt to turn one of her favourite short stories into a thrilling silent movie. Who poisoned the cruel and sinister Professor Appleby? Derek Capel, his neighbour, in love with the Professor’s wife, Eleanor? Vera, the house-parlourmaid, Appleby’s mistress? Or was it Eleanor Appleby herself? All three could be reasonably suspected of a motive which would prompt them to poison the most hateful villain who ever crossed the pages of fiction . . . The first ever Agatha Christie film was a 1928 black and white silent movie, loosely based on her first ‘Harley Quin’ story. Although no script or print of the film survives, this rare novelisation from the same year is a unique record of Christie’s first association with the motion picture industry – now in its remarkable tenth decade with the release of Kenneth Branagh’s Murder on the Orient Express. This new Detective Club edition includes an introduction by film and television historian Mark Aldridge, author of the authoritative Agatha Christie On Screen (2016), who reveals why the film’s harshest critic was Agatha Christie herself.