The Moscow Museum of Modern Art is pleased to present the first solo exhibition of Jacques .Lipchitz, an outstanding avant-garde sculptor of the 20th century and a prominent representative of the School of Paris, to be held in Russia. Lipchitz was one of the most notable sculptors who adopted the principles of Cubism and persistently applied them in his works, gaining recognition from both connoisseurs and the general public. Later, moving away from Cubism, he kept his expressiveness and daring approach to form. .Published to coincide with the exhibition in the Moscow Museum of Modern Art, the present edition reflects on the history of sculpture in the 20th century, factors that shaped its development, and Lipchitz's circle of artists and friends, who influenced his approach. Jacques Lipchitz marked a turning point in the perception of art and, along with Pablo Picasso and Marc Chagall, became a symbol of the new art. Along with the artworks presented in the exhibition, the catalogue contains additional materials such as an article by the exhibition curator Kosme de Baranano about the sculptor's life and work, an essay by an art historian Mikhail Kamen-sky about Lipchitz's visit to the USSR in 1935, interesting facts about the sculptor's life, previously unpublished images from the archives of Musee d'Art et d'Histoire du JudaTsme in Paris as well as photographs of sculptures and graphic works from the collections of Marlborough Gallery, the Israel Museum in Jerusalem, and private collections. .This retrospective exhibition is a continuation of the museum's exhibition program aimed at introducing visitors to the work of important modernist artists. The project is prepared in celebration of the 70th anniversary of the establishment of Israel. .I would like to express my sincere gratitude to The Estate of Jacques Lipchitz, Marlborough Gallery and Kosme de Baranano for their help and support in organizing the exhibition, as well as to the team of the Moscow Museum of Modern Art for the successfully realised project.

The Moscow Museum of Modern Art is pleased to present the first solo exhibition of Jacques .Lipchitz, an outstanding avant-garde sculptor of the 20th century and a prominent representative of the School of Paris, to be held in Russia. Lipchitz was one of the most notable sculptors who adopted the principles of Cubism and persistently applied them in his works, gaining recognition from both connoisseurs and the general public. Later, moving away from Cubism, he kept his expressiveness and daring approach to form. .Published to coincide with the exhibition in the Moscow Museum of Modern Art, the present edition reflects on the history of sculpture in the 20th century, factors that shaped its development, and Lipchitz's circle of artists and friends, who influenced his approach. Jacques Lipchitz marked a turning point in the perception of art and, along with Pablo Picasso and Marc Chagall, became a symbol of the new art. Along with the artworks presented in the exhibition, the catalogue contains additional materials such as an article by the exhibition curator Kosme de Baranano about the sculptor's life and work, an essay by an art historian Mikhail Kamen-sky about Lipchitz's visit to the USSR in 1935, interesting facts about the sculptor's life, previously unpublished images from the archives of Musee d'Art et d'Histoire du JudaTsme in Paris as well as photographs of sculptures and graphic works from the collections of Marlborough Gallery, the Israel Museum in Jerusalem, and private collections. .This retrospective exhibition is a continuation of the museum's exhibition program aimed at introducing visitors to the work of important modernist artists. The project is prepared in celebration of the 70th anniversary of the establishment of Israel. .I would like to express my sincere gratitude to The Estate of Jacques Lipchitz, Marlborough Gallery and Kosme de Baranano for their help and support in organizing the exhibition, as well as to the team of the Moscow Museum of Modern Art for the successfully realised project.

This Russian Museum exhibition catalogue publishes much more than the anthologized propaganda posters of other survey books. The curators and authors have selected works that show how the propaganda poster evolved as an independent genre both in subject and style. The earliest examples follow the conventions of popular prints (lubki) and folk tale imagery of the tsarist period - images often tell a story with satirical and grotesque depictions of enemies. Prevalent in the early examples is a realism akin to nineteenth- and early twentieth-century art. In the early 1920s a more modern and spare form of poster art drew on experiments of the avant-garde to create new styles.

Poster-Art - коллекция интеллектуальных, остроумных, оригинальных работ, собранных по всему миру и ломающих традиционные представления о графическом дизайне и технологии печати плакатов, постеров и афиш. Poster-Art - новое издание продолжающее серию книг CD-Art, DVD-Art и Mag-Art. Мы исследуем инновации в графическом дизайне. Издание на английском языке.

The second installment of Icons of Modern Art, the major exhibition organized by Fondation Louis Vuitton, brings together more than 170 unparalleled masterpieces from the collection of modern French and Russian art created by the Muscovite brothers Mikhail and Ivan Morozov. Following the exhibition of the collection of Sergei Shchukin, Fondation Louis Vuitton continues its exploration of the cultural and intellectual world of Russia's collectors and patrons, pioneers of modern art. Presented for the fi rst time outside Russia, the Morozov collection includes iconic works by Manet, Rodin, Monet, Pissarro, Toulouse-Lautrec, Renoir, Sisley, Cйzanne, Gauguin, Van Gogh, Bonnard, Denis, Maillol, Matisse, Marquet, Vlaminck, Derain, and Picasso, alongside works of celebrated Russian artists from the turn of the twentieth century, such as Repin, Vrubel, Korovin, Golovin, Serov, Larionov, Goncharova, Malevich, Mashkov, Konchalovsky, Utkin, Saryan, and Konenkov. The unprecedented presentation of work by these artists represents an exceptional opportunity for discovering them anew. The philanthropic brothers Mikhail Abramovich Morozov (1870-1903) and Ivan Abramovich Morozov (1871-1921) dominated Moscow's cultural life from the end of the nineteenth century until the early twentieth century, along with the Tretyakov, Mamontov, Ryabushinsky, and Shchukin families. Their unconditional support of European and Russian contemporary art was integral to the international recognition of modern French painters.